Above is what I see as one of the most beautiful icons I know. I have a number of other (reproductions of) icons in different parts of the house, and many are beautiful in a perhaps more conventional way; but this has a different feel to it - one which makes me wonder if there is an influence, as in Greece for more than two thousand years there has so often been, of the Oriental.
I am a shamefully poor Christian, but in my own way I think I can say devoted. I came from a casually irreligious family; but was in my teens so captured by the depth of meaning I found in the liturgy, the story and sayings of Christ and of some of his saints, as well as in the prayers, the music, the poetry, the art and the architecture of Christianity, that I intended to follow the contemplative life and enter a monastery. In any case, I didn’t – probably wisely … but the enrapture has never waned. At this end of life I can only cast myself on the mercy of God, no doubt like many another, believing he understands and accepts me, frail as I am.
Anyway this is not a religious posting, it’s a plea for help in tracking down a good reproduction of this icon! I have it as a postcard - this is a photograph of the postcard taken by Caro Ross, who was visiting recently - and it sits in pride of place in my kitchen, where I can see it several times every day. Over the years it has got a little fragile, being only a postcard. I want to replace it before it gets any worse. Does anyone know where I could get another, perhaps even better, reproduction of it?
On the back it says: ‘Ioannina, Byzantine Museum. Ioannis Athanasiou: Christ the Judge. Icon. From the Zosimaia School, Ioannina, 1773.’ I wrote to the Byzantine Museum at Ioannina, but did not get a reply. It also contains this information: ‘Photography E Eliadis. Printed by PERGAMOS S.A.’ I couldn’t track down Mr Eliadis, and I got no response from Pergamos. I tried doing a Google search of the image, but without luck.
There are so many things in this glorious icon to love, but for me one is the posture and the expression on the face of this ‘Judge of all men’. It is possibly formulaic, as icons usually are, and yet it says everything to me. It reminds me of the line from a favourite prayer by Dietrich Bonhoeffer: ‘in me there is grief, in thee long-suffering.’* And if the card falls apart as I fall apart, we will go down together.
Thanks for any clues!
*The prayer was written while he was imprisoned by the Nazis, some time before they took him out and hanged him naked for the crime of having sheltered Jews. Since the translation is my own, and a search might not bring it up, I append the prayer here:
At the beginning of the day, O God, I call to thee.
Help me to pray and to gather my thoughts to thee;
For of myself I am not able.
Within me all is dark, but in thee is light;
I am alone, but thou wilt not abandon me;
I am weak, but thou wilt help me;
I am troubled, but in thee is peace;
In me there is grief, in thee longsuffering.
I do not understand thy ways,
But thou, O God, knowest which is my path.
Father of heaven, thine be praise and thanks for the quiet of the night, Thine be praise and thanks for the new day.
Lord, whatever thou givest this day, thy name be praised. Amen
Iain, take a screen shot of the image and do a Google Image Search. When I did that I got two hits on the exact image, one of which has much more information about where the icon comes from and where it can be found. Both hits are in modern Greek, but can be set to "translate." Another thing you can do from this page is enlarge the image and make a large image JPeg of it. Then you can take it to any photo shop and have them print it in any size you like on any kind of paper, and frame it. I have done that before for images of John Sell Cotman watercolors that are not available commercially. You could of course do this with your original postcard as well.
This is what ChatGPT in deep research mod got. I guess the best option is to contact somehow the Byzantine Museum of Ioannina:
Christ the Judge (1773) — Ioannis Athanasiou
Byzantine Museum of Ioannina
Description of the Icon
Title: Christ the Judge
Painter: Ioannis Athanasiou of Kapesovo
Date: November 18, 1773
Medium: Egg tempera on wood, gold leaf, and modern pigments (e.g. Prussian blue)
Dimensions: 125.5 × 91 cm
Collection: Byzantine Museum of Ioannina (formerly Zosimaia School)
Inventory: Listed as “Jesus Christ the Judge” (cat. no. 27)
Iconography
Christ is seated in judgment at the center in a classic Deësis scene.
Flanked by the Virgin Mary and John the Baptist in intercession.
Surrounded by hosts of saints, apostles, prophets, and angels.
A blue starry realm below His feet, with sun and moon, representing cosmic judgment.
Notable for brilliant scarlet and gold tones, detailed gilding, and rich iconographic layering.
Inscription (in Greek)
1773, (ε)ζωγράφισθη η αγία εικόνα δια χειρός ταπεινού Ιωάννου Αθανασίου Καπεσοβίτου εν μηνί Νοεμβρίω 18
(Painted in 1773 by the humble hand of Ioannis, son of Athanasios, from Kapesovo, on November 18)
Painter: Ioannis Athanasiou (fl. 1760s–1800s)
From Kapesovo, a village in the Zagori region of Epirus.
Trained by his father, the monk-painter Athanasios.
Later collaborated with his son Anastasios (Anagnostis).
Headed a major itinerant painting workshop that decorated numerous Epirote churches.
His work blends:
Traditional Byzantine iconography (egg tempera, hierarchical composition)
18th-century influences (Baroque scrollwork, modern pigments)
Known works include wall frescoes and portable icons in Tsepelovo, Negades, Aristi, Zitsa, and more.
Significance of the Icon
A key example of post-Byzantine Epiriote religious art.
Demonstrates technical innovation:
Use of Prussian blue (early modern synthetic pigment)
Rich gold-powder gilding
Stylistically transitional: merges Orthodox canon with neo-Baroque ornamentation.
Reflects the artistic tastes of cosmopolitan Orthodox patrons in Ottoman Epirus.
Provenance
Originally part of the Zosimaia Academy collection in Ioannina.
Donated to the Byzantine Museum of Ioannina.
Currently exhibited in a carved wood proskynetarion with elaborate floral motifs.
Reproductions and Resources
Museum and Archives
Hellenic Ministry of Culture – National Archive of Monuments (Mobile Monuments Collection)
Contains an official entry and preview image.
Byzantine Museum of Ioannina – Holds the icon as part of its permanent display.
Photography: Eleni Eliadis (as credited on postcard)
Scholarly Sources
Kovala-Demertzi et al., “Pigment identification in a Greek icon…”
Journal of Cultural Heritage 13 (2012): 107–113
Includes pigment analysis, close-up images, and conservation study.
Four Historic Cities in the Western Balkans (2012), p. 93
Mentions Athanasiou and the Zosimaia School’s artistic heritage.
Greek blogs and archives (e.g. Peri Technis, Academy of Athens) document the Kapesovo painting lineage.
Further Reading
On the School of Northwestern Greece and post-Byzantine art in Epirus.
Velimezis Collection (includes icons attributed to Athanasiou).
Local Epirus church inventories and travel guides to museum holdings.